We licensed “Scoring”, Kalan.FrFr’s Roc Nation debut single, for the official NBA 2K22 soundtrack, bringing the record to millions of players worldwide.

Synchronization

Bringing your music into games, film, television, brand campaigns and beyond.

We help records move beyond streaming platforms and into spaces where new audiences can discover them organically. Whether it’s a video game, commercial, TV series, or film, we position your music for meaningful exposure, licensing revenue, and opportunities that continue flowing long after release day.

“Some of my favorites from the Summer”

— BARACK OBAMA

on his Summer Playlist, featuring "Back At It" by Lil Mosey & Lil Baby, written and produced by Bankroll Got It, Diego Ave and Zay Garcon.

Notable Placements

As heard in the NBA, the NFL, ESPN and more,

“Scoring”

The championship anthem performed by Kalan.Frfr on his Roc Nation debut, TwoFr 2, written and produced by Bankroll Got It and Zay Garcon.

Thanks to Our Clients & Collaborators

Exhibit A

Definitions

For purposes of the Sync-Creative Representation Agreement, the following terms shall have the meanings set forth below.

1. Agreement

"Agreement" means the Sync-Creative Representation Agreement, including all exhibits, schedules, amendments, and written modifications executed by the Parties.

2. Company

"Company" means New House Music Publishing, LLC, its successors and permitted assigns.

3. Songwriter

"Songwriter" means the individual entering into the Agreement with the Company for synchronization representation services.

4. Song

"Song" means any original musical composition and/or sound recording submitted by the Songwriter to the Company during the Term of the Agreement.

5. Submitted Song

"Submitted Song" means any Song accepted by the Company for representation under the Agreement and counted toward the applicable submission limit.

6. Placement

"Placement" means a fully executed synchronization license authorizing the use of one or more Submitted Songs in any audiovisual production, including but not limited to:

• Motion Pictures

• Television Programs

• Streaming Series

• Commercial Advertisements

• Brand Campaigns

• Video Games

• Mobile Applications

• Film Trailers

• Podcasts

• Corporate Productions

• Online Video Content

• Social Media Campaigns

• Documentaries

• Promotional Media

• Any other audiovisual production requiring synchronization rights.

7. Upfront Synchronization Licensing Fee

"Upfront Synchronization Licensing Fee" means the one-time licensing fee paid by a licensee in exchange for synchronization rights to use a Submitted Song in a Placement.

The Upfront Synchronization Licensing Fee does not include:

• Performance royalties

• Mechanical royalties

• Streaming royalties

• Record royalties

• Writer's Share of Publishing

• Publisher's Share of Publishing

• Neighboring Rights Royalties

• PRO distributions

• Any other recurring royalty or post-license revenue.

8. Gross Licensing Fee

"Gross Licensing Fee" means the total Upfront Synchronization Licensing Fee paid by the licensee before deduction of taxes, commissions, legal fees, management fees, collection fees, or any other expenses.

9. Representation Fee

"Representation Fee" means the non-refundable fee paid by the Songwriter to engage the Company's synchronization representation services under the Agreement.

10. Term

"Term" means either:

• Six (6) consecutive months beginning on the Effective Date; or

• Twelve (12) consecutive months beginning on the Effective Date,

depending upon the representation package selected by the Songwriter.

11. Effective Date

"Effective Date" means the date upon which both Parties execute the Agreement.

12. Parties

"Parties" means collectively New House Music Publishing, LLC and the Songwriter.

13. Materially Facilitated

A Placement shall be deemed to have been materially facilitated by the Company if the Company:

• Introduced the Songwriter or Submitted Song to a prospective licensee;

• Initiated communications regarding a potential Placement;

• Arranged meetings, calls, or introductions between the Songwriter and a prospective licensee;

• Negotiated or substantially participated in negotiating licensing terms; or

• Otherwise played a meaningful role in creating the opportunity that ultimately resulted in a Placement.

14. Post-Term Commission Period

"Post-Term Commission Period" means the twelve (12) month period immediately following the expiration or termination of the Agreement during which the Company shall remain entitled to commissions on qualifying Placements as provided in the Agreement.

Sync Representation Agreement

Between New House Music Publishing, LLC ("Company") and _______________________________ ("Songwriter"). Effective Date: ___________________

1. Purpose

The purpose of this Agreement is to engage the Company as the Songwriter's non-exclusive Sync-Creative representative for the purpose of pursuing synchronization licensing opportunities for Submitted Songs.

The Parties agree that the definitions contained in Exhibit A – Definitions are incorporated into and made part of this Agreement.

2. Representation Term

The Songwriter shall select one of the following representation packages:

□ Six (6) Month Representation — Maximum of fifteen (15) Submitted Songs.

OR

□ Twelve (12) Month Representation — Maximum of thirty (30) Submitted Songs.

The Representation Fee is due in full prior to the commencement of services and is non-refundable.

This Agreement may be renewed upon expiration at the Company's then-current published rate unless otherwise agreed in writing.

3. Song Submission

The Songwriter may submit up to the maximum number of Submitted Songs permitted under the selected representation package.

The Songwriter may replace Submitted Songs during the Term provided the total number of active Submitted Songs does not exceed the applicable submission limit.

4. Representation Services

The Company shall use commercially reasonable efforts to:

• Evaluate Submitted Songs for synchronization potential.

• Prepare metadata and pitch materials.

• Present Submitted Songs to music supervisors, film studios, television productions, streaming platforms, advertising agencies, gaming companies, brands, trailers, publishers, libraries, record labels, and other licensing decision-makers.

• Maintain and develop professional industry relationships.

• Seek synchronization licensing opportunities.

• Negotiate licensing opportunities on behalf of the Songwriter.

5. Non-Exclusive Representation

This Agreement is non-exclusive.

The Songwriter remains free to pursue synchronization opportunities independently or through other representatives.

6. Ownership

The Songwriter retains one hundred percent (100%) ownership of all copyrights, compositions, master recordings, and publishing interests unless otherwise agreed in a separate written agreement.

Nothing contained herein transfers ownership to the Company.

7. Licensing Authority

The Company may negotiate synchronization licensing opportunities on behalf of the Songwriter.

No synchronization license shall become binding unless approved by the Songwriter in writing.

8. Representation Fee

Six-Month Representation: $800.00

Twelve-Month Representation: $1,250.00

The Representation Fee is earned upon payment, is non-refundable, and compensates the Company for its time, expertise, industry relationships, and representation efforts.

9. Commission

The Company shall receive fifteen percent (15%) of the Gross Licensing Fee for any Placement directly procured through the Company's efforts during the Term or the Post-Term Commission Period.

The Company's commission applies only to the Upfront Synchronization Licensing Fee and shall not apply to royalties or any other post-license income.

10. No Guarantee

The Company agrees to use commercially reasonable efforts to seek synchronization licensing opportunities.

Because all licensing decisions are made solely by third parties, the Company makes no guarantee that:

• Any Song will be pitched;

• Any Song will receive a Placement;

• Any license will be executed;

• Any revenue will be generated; or

• Any specific opportunity will occur.

11. Songwriter Representations

The Songwriter represents and warrants that:

• The Songwriter owns or controls all necessary rights.

• Submitted Songs do not infringe upon any third-party rights.

• All samples are properly cleared.

• Information provided is accurate.

• The Songwriter shall promptly provide WAV files, instrumentals, clean versions, metadata, stems, split sheets, or other materials reasonably requested by the Company.

12. Representation Philosophy

The Company provides personalized synchronization representation rather than passive catalog administration.

Each Songwriter is selected based upon artistic quality, commercial potential, and creative alignment.

Throughout the Term, the Company actively seeks opportunities to introduce Submitted Songs to music supervisors, production companies, brands, advertising agencies, game developers, studios, publishers, record labels, and other industry decision-makers whenever commercially appropriate.

13. Good Faith Representation & Non-Circumvention

Both Parties agree to conduct themselves honestly, professionally, and in good faith throughout the Term.

The Songwriter agrees not to knowingly circumvent the Company regarding any Placement or licensing opportunity materially facilitated by the Company.

If a Placement results from an opportunity materially facilitated by the Company during the Term or the Post-Term Commission Period, the Company's commission shall remain payable even if the final synchronization license is executed directly between the Songwriter and the licensee.

Nothing in this Section prevents the Songwriter from independently securing synchronization opportunities not introduced, initiated, or materially facilitated by the Company.

14. Post-Term Commission

If the Company materially facilitates a licensing opportunity during the Term that results in a Placement within twelve (12) months after expiration or termination of this Agreement, the Company shall remain entitled to the fifteen percent (15%) commission described in Section 9.

15. Termination

Either Party may terminate this Agreement by providing written notice to the other Party.

Termination shall not affect any commission earned pursuant to Sections 9 or 14.

16. Independent Contractor

The Parties acknowledge that the Company acts solely as an independent contractor.

Nothing contained herein shall be construed as creating an employment relationship, partnership, joint venture, or fiduciary relationship.

17. Limitation of Liability

Neither Party shall be liable for indirect, incidental, consequential, special, or punitive damages arising from this Agreement except in cases of fraud, willful misconduct, or intentional breach.

18. Governing Law

This Agreement shall be governed by and construed in accordance with the laws of the State of Nebraska.

19. Entire Agreement

This Agreement, together with Exhibit A – Definitions, constitutes the entire agreement between the Parties and supersedes all prior negotiations, discussions, or understandings relating to its subject matter.

Any amendment must be in writing and signed by both Parties.

20. Signatures

NEW HOUSE MUSIC PUBLISHING, LLC

By: ___________________________

Name: ________________________

Title: _________________________

Date: _________________________

SONGWRITER

Signature: _____________________

Printed Name: __________________

Date: _________________________